I have used this copy, paste and edit method a little bit on the job. All the animation was cleaned and colored, I added in line boil and a subtle texture to soften the scene just a little bit. This method is actually pretty similar to cut-out animation, in terms of getting a lot of mileage out of a few key drawings. Then, I created another pose by taking that drawing and selecting certain parts of it, and editing it by either selecting vector points with the contour editor, or by transforming with the select tool.

I would draw a pose, and then copy paste that pose into another frame. To save time by not having to draw every frame from scratch. I drew with the intent to copy, paste, and edit a lot. I approached every stage from storyboards to animation the same way for this scene, at least from a drawing perspective. Could you explain what your process for frame-by-frame animation was? How did you approach it?

I was very fortunate to have delicious food growing up - I guess I kinda still do! - but I wanted to portray the warmth and comfort that comes with enjoying good food with other people. So the obvious choice was to tell the story through the lens of my own family. But I also wanted the scene to be a celebration of Korean food and culture in general. The scene for sure was inspired by my momвЂ™s cooking. So itвЂ™s safe to say this scene was inspired by my own family traditions. ItвЂ™s enjoyed by the family, as good food is made better with good company. This scene depicts my mom preparing Sundubu Kal-guksu, which is Korean tofu stew with knife cut noodles.

Can you describe the story that your scene tells? Ryan ImmвЂ™s scene was featured in Harmony 21вЂ™s launch video.

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